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Yarn and fabric inspection

Finished and printed fabric inspection in India

A finished and printed fabric inspection checks dyed and printed rolls against the approved lab dip or strike-off. The inspector compares shade side-centre-side and roll to roll, measures bow, skew and cuttable width, grades print and finishing faults with the 4-point system, and seals samples for lab fastness and shrinkage tests. Shade and skew problems surface only after cutting.

Typical fabrics
Cotton, linen, viscose and blends; piece-dyed, yarn-dyed and printed (rotary screen, flatbed, digital); with softener, resin or mechanical finishes
Where it's made in India
Ahmedabad and Bhilwara: Towns of Export Excellence for textiles (DGFT)
Key rules
EU REACH azo dyes and other restricted substances; California Prop 65; FTC Care Labeling Rule for piece goods (US)
Main methods
4-point grading (ASTM D5430); shade under a light box; lab fastness and dimensional change tests

How fabric is dyed, printed and finished

Greige fabric goes to a process house. It is desized, scoured and bleached, often mercerised, then dyed in batches on jiggers, jets or continuous ranges, or printed by rotary screen, flatbed screen or digital inkjet. The colour is fixed by steaming or curing, the fabric is washed off, and finishes are applied: softener, resin for crease resistance, or mechanical finishes such as calendering or peaching. A stenter sets the final width and pulls the weft straight, and the fabric may be pre-shrunk before rolling.

Each step can introduce its own fault. A dye batch can differ from the next. A stenter can leave the weft curved (bow) or slanted (skew). A screen can drift out of register. Ahmedabad and Bhilwara are listed by DGFT as Towns of Export Excellence for textiles; process houses work in many other towns too.

The buyer is usually a garment maker or home-textile converter, who will cut the fabric in lays many layers deep. Shade differences between rolls, or within one roll, end up as mismatched panels in one product. That is why shade sorting matters more here than almost anywhere else.

What we check on finished and printed fabric

CheckHow it is checkedWhat fails
Shade against standardSwatch from each sampled roll compared with the lab dip or strike-off in a light box under the agreed light source, then a second source to catch metamerismVisible difference from the standard
Side-centre-side shadingSwatches from both edges and the centre of the width laid togetherEdges darker or lighter than the centre (listing)
Roll-to-roll shadeA strip from each roll mounted on a shade card; rolls grouped into shade lotsRolls in one shade lot that do not match; unsorted rolls
Bow and skewWeft line followed across the width and its deviation measured against a straight edge, as a percentage of widthBow or skew above the contract limit; prints or checks that run off-square
Print qualityPrint compared with the strike-off for register, colour, sharpness and repeat joinsMisregister, missing colour, screen marks, smudges, streaks
Cuttable widthWidth between pin marks or printed selvedge text measured along the rollUsable width below what the marker plan needs
Finishing faults4-point grading on the frame: creases, stenter pin holes, water marks, dye spotsPoints per 100 square yards above the limit
Rub checkQuick dry and wet rub with white cloth on dark and printed areas as a screenHeavy colour transfer; samples sent to the lab for the formal test

Colour fastness to washing, rubbing and light, dimensional change after washing, and restricted substances are measured by an accredited lab on sealed samples. An on-site rub or a quick wash only flags a problem.

Common defects in dyed and printed fabric

DefectCauseClass
Wrong shade across the lotRecipe or dye lot changed; standard not followedCritical
Shade variation within a roll (ending, listing)Uneven dyeing along the batch or across the widthMajor
Skew or bow over the limitFabric fed unevenly into the stenterMajor
Print misregisterScreens or print heads out of alignmentMajor
Dye spots and streaksUndissolved dye, dirty screens, doctor blade marksMajor
High residual shrinkageFabric not relaxed or pre-shrunkMajor (from lab result)
Crease marksFabric folded or rope-dyed and not opened properlyMajor or minor by visibility
Stenter pin holes inside the cuttable widthPins set too far inMinor
Roll tickets missing shade lotPacking room not linked to shade sortingMinor

Market rules for finished fabric

  • Azo dyes and restricted substances (EU). REACH Annex XVII entry 43 bans azo dyes that release listed aromatic amines above 30 mg/kg in textiles that may come into prolonged contact with skin. Printers using pigment and reactive systems should hold test reports for the colours used. See azo dyes and restricted substances.
  • Prop 65 (California). Some dyes, finishes and print chemicals contain listed substances; buyers usually pass on a restricted substances list. See Prop 65.
  • Care labelling (US). The FTC Care Labeling Rule covers piece goods sold to consumers for home sewing, so fabric for that trade needs care instructions.
  • Flammability (US). Fabric intended for clothing falls under the Flammable Fabrics Act, and 16 CFR 1610 sets the test. Light, brushed or napped fabrics are the ones most at risk. See 16 CFR 1610.
  • Certification claims. OEKO-TEX or GOTS claims on the roll ticket must match a valid certificate for that process house. See OEKO-TEX and GOTS.

Packing, transit and your purchase order

Finished fabric should travel on rolls, face in, on a firm tube, wrapped in polythene, with the shade lot written on the ticket and the outer wrapping. Rolls stored upright or stacked too high get crushed and crease. Light colours can pick up dirt from damaged wrapping, and some resin-finished fabric yellows when stored warm. The inspector checks roll tickets against the packing list and makes sure each shade lot is packed together.

Put these in your purchase order:

  • Approved lab dip or strike-off, the light source for judging shade, and how many shade lots are allowed.
  • Bow and skew limits, cuttable width and GSM, with tolerances.
  • Fault limit in points per 100 square yards.
  • Fastness grades for washing, rubbing and light, and the residual shrinkage limit, with test methods.
  • Restricted substances list and certificates required.
  • Roll length, packing and ticket content.

Fabric printed by hand with wooden blocks has its own page: hand block-printed textiles. Book an inspection in Ahmedabad or anywhere in India.

Sources

  1. DGFT: Appendix 1B, Towns of Export Excellence (Ahmedabad, Bhilwara: textiles)
  2. ASTM D5430: Standard test methods for visually inspecting and grading fabrics
  3. ECHA: Substances restricted under REACH (Annex XVII)
  4. 16 CFR Part 423, Care Labeling of Textile Wearing Apparel and Certain Piece Goods (eCFR)

Frequently asked questions

What is the difference between bow and skew?

Both describe a weft that is not at right angles to the selvedge. In bow, the weft curves, usually dipping in the middle. In skew, it runs in a straight but slanted line. Either one makes stripes, checks and prints look crooked on the finished product.

How do you sort shades between rolls?

A strip is cut from each roll and mounted on a card in a light box. Rolls that match each other closely are grouped into a shade lot. The garment maker then cuts each product from one lot, so panels match.

Do you test colour fastness on site?

Only a quick rub as a screen. Formal colour fastness to washing, rubbing and light is tested by an accredited lab on samples we pull and seal. We then check the grades against your specification.

Why check shade under two light sources?

Two colours can match in daylight and differ under shop lighting, an effect called metamerism. Checking under the agreed main light and a second one catches dye recipes that will look different in the store.

Know before it ships

Tell us the product, the factory's city and your ready date. We confirm the inspector, the notice time and the price before you book.

Book an inspection